The online version of the special exhibition: a student project by the Department of Social and Cultural Anthropology, Tübingen
Dedication ceremony - SWR documentary
Welcome to the exhibition with the Māori leader Hinematioro. Here we meet with Hinematioro and her companions, and discover how Hinematioro came to Tübingen. The special exhibition was created as a collaborative project between the Department of Social and Cultural Anthropology, the Museum of the University of Tübingen, and primarily the members of the Te Aitanga-a-Hauiti community of New Zealand, who are Hinematioro's descendants . The exhibition was on display from October 26, 2025, to March 29, 2026, in the Rittersaal of the Museum of Ancient Cultures in Tübingen.
The focus of this exhibition is Hinematioro and her living connections in the past and today. As students of Social and Cultural Anthropology at the University of Tübingen, with this online exhibition we aim to make the exhibition about Hinematioro accessible beyond the physical displays and to preserve it digitally after its conclusion.
The pou of Hinematioro exhibited in the Tübingen. A pou is a carved panel of a Māori meeting house (wharenui), depicting an ancestor. It embodies the ancestress and her mauri (life force).
The carving is attributed to the Te Rāwheoro school. This style is characteristic of the visual arts of the East Coast of Aotearoa (New Zealand). Woodcarving remains a significant traditional art form for many Māori. During the time of the panel’s creation, no metal tools were used; instead, materials such as nephrite (also known as greenstone), shells, whalebone, and wood were used to craft chisels and drills. For polishing, dried fish skin was employed.
Previous European owners had sawn off parts of the top section of the panel, most likely to integrate it into a piece of furniture. The pou was fully restored in 2002 using totara wood, which is from the New Zealand yew tree.
Ruakapanga meeting house in Hauiti, Tolaga Bay, Gisborne 1948.
Carved Pou in Ruakapanga
Carved Pou in Ruakapanga
Ruakapanga today
A group of Māori and Pākehā signing the Treaty of Waitangi
“Pākehā” is a term still used today for referring to New Zealanders of European origin. Abel Tasman was the first European to discover Aotearoa - New Zealand - in 1642. The initial contact with Māori people was violent. In 1769, James Cook arrived, initiating British colonization. Before European contact, conflicts between Māori iwi were fought with traditional close-combat weapons. In the early 19th century, trade with Europeans spread muskets, drastically changing the nature of warfare due to the increased danger of injuries, leading to the so-called Musket Wars. As a result, many Māori fled, and their lands were seized by European settlers.
Māori chiefs from the north island signed a declaration of independence in 1835, called He Whakaputanga, to protect their autonomy. However, in 1840 the Treaty of Waitangi transferred sovereignty to the British Crown, making New Zealand a British colony. Although the treaty guaranteed Māori land rights, translation errors and unclear property regulations led to disputes. Triggered by land shortages and increasing pressure on Māori to sell their land, the Wairau Affray of 1843 marked the beginning of Māori resistance against colonization, subsequently leading to the New Zealand Wars,
From 1858 onward, the number of Pākehā surpassed that of Māori, who had also lost much of their land. Although they were represented by four seats in parliament since 1967, Māori were at the lowest point of their existence in the late 1890s. Yet, in the early 20th century, new Māori politics arose, as e.g. the Young Māori Party was founded, which began to turn the situation around. Today’s representative Māori Queen is Ngā Wai Hono i te Pō, a direct descendant of the first Māori King.
Ko tātou ngā kanohi me ngā waha kōrero o rātou mā kua ngaro ki te pō
“We are the eyes and voices of those who have gone into darkness.”
Māori-Whakataukī
(Māori saying)
For the Te Aitanga-a-Hauiti, Hinematioro was a young, high-ranking leader. Europeans later referred to her as a “queen” - a term reflecting the respect she commanded. She belonged to one of the highest Māori genealogical lines of ariki (leaders). Her whakapapa (genealogy) traces back to renowned Polynesian navigators. This lineage granted her great mana (authority), which in turn meant that she carried particular responsibility for her community. In Māori tradition, ancestors like Hinematioro live on in carved poupou or simply pou (wall panels on pillars) of a wharenui (meeting house). These carvings are not merely art but embodiments of the ancestors themselves. They serve as pillars of identity for descendants. Hinematioro’s pou embodies this beloved tipuna (ancestress), ensuring that Hinematioro is present for her descendants today. For her community, this figure is a living connection to the past. She is received with karakia (ritual prayers), joyful tears, and deep respect - just as befits a taonga (treasure).
Created as commemoration of the ariki Hinematioro and the cultural heritage of the Te Aitanga- a- Hauiti iwi
Hinematioro's Poupou
Closeup view of Hinematioro's Poupou
Members of the community can recite the names of about 20 generations of ancestors from memory. A whakapapa represents kinship and thus legitimizes social positions. This whakapapa shows the important figures that Hinematioro is descended from. This lineage justified her role as a leader (ariki):
Taonga – Treasures with Mana
Taonga are windows into the world of the Māori: they are cultural treasures reflecting whakapapa, the living relationships between Māori, ancestors, and land. They can take many forms: material treasures such as carvings, ornaments, clothing, weapons, but also water, land, language, or knowledge are taonga. For Māori, taonga possess mana (authority), mauri (life force), and dignity. They carry special powers derived from the people who created them or interacted with them. It is not only the physical objects that matter, but also the stories and genealogies that accompany them. Taonga are not merely representations of ancestors - they are ancestors. Interacting with taonga is part of the living relationship with forebears; one cares for them by touching them, singing for them, or shedding tears. This poses a challenge for museums: how to preserve or display them without breaking these living connections.
Our exhibition features several taonga brought by the Hauiti community as gifts for Hinematioro. First, there is the mere pounamu (a greenstone club), once held by a leader like Hinematioro - its shimmering green symbolized the dignity of her authority. Also included are three intricately woven kete (flax baskets), each strip carefully crafted with inherited knowledge, accompanying Hinematioro. The collection is complemented with ornate heru (hair combs), proudly worn by Māori as symbols of status and grace, and a waka huia (wooden casket) for storing valuable items.
More information about the objects is displayed by clicking on the photos.
Exchange and Encounters
Since the "rediscovery" of Hinematioro by Volker Harms in 1996, a vibrant exchange has developed between Tübingen and the Te Aitanga-a-Hauiti community, which is evident in mutual visits and joint exhibition projects. In 2019, Hinematioro temporarily returned to her home at Ūawa, on loan to the Tairāwhiti Museum in Gisborne.
Members of Te Aitanga-a-Hauiti iwi visit Hinematioro in 2008 in Museum World Cultures at Hohentübingen castle.
In 2019 Te Aitanga-a-Hauiti iwi celebrates the visit of their ancestress at the commemoration Te hokinga o Hinematioro in Ūawa.
October 2025: students from Te Aitanga-a-Hauiti visit Tübingen. Punting on the Neckar river, accompanied by music and conversations.
Students from Tolaga Bay Area School meet students from the Geschwister-Scholl-School in Tübingen.
Vibrant exchange at the Neckar island.
During the joint dance and music workshop, the students of GSS learn a great deal from the Te Aitanga-a-Hauiti community...
...and join us for the exhibition dedication ceremony.
Dedication Ceremony and Exhibition Opening in October 2025
Te Pou o Hinematioro - Celebrating Māori Heritage, Culture and Connection
For the exhibition opening, descendants/relatives of Hinematioro from the Te Aitanga-a-Hauiti iwi travelled to Tübingen to honour their ancestress and celebrate Te Pou o Hinematioro in the jointly curated exhibition. The delegation included Victor Walker, Mihi Tashkoff, Phillipa Kirikiri as community representatives, a group of students from Tolaga Bay Area School with their teachers Shanan Grey and Blanche Wanoa, furthermore Tanja and Max Schubert-McArthur. Representatives from the Rongowhakaata iwi and New Zealand's Ambassador Craig Hawke were also present.
On the morning of October 23, 2025, the karakia took place: The house and the taonga were blessed through prayers and speeches. Victor Walker welcomed the visitors prior to the dedication.
After the entire exhibition had been cleansed by the members of Rongowhakaata iwi with green leaves to remove tapu (sacred restrictions)...
...these branches were placed at Hinematioro's feet.
The visitors entered barefoot into the stylized wharenui, which housed the exhibition about Hinematioro's pou.
Together with the Rongowhakaata iwi, the Te Aitanga-a-Hauiti iwi concludes the inauguration /dedication ceremony with a song.
Students from Tolaga Bay Area School spent treasured time with their ancestress Hinematioro after the ceremony.
At the evening opening ceremony in the castle chapel, guests were welcomed with a song. The subsequent speeches by the university rector, the New Zealand ambassador, and the Social Anthropology professor addressed the matter of repatriation from different perspectives.
Following this, all visitors were invited to a reception in the Knights' Hall – a time for conversations and exchange...
...and commemorative photos (from back to front):
Shanan Gray, Tanja Schubert-McArthur, Maximilian Schubert-McArthur, Taikorkore Collis-Tangohau, Taylor Kirikiri, Nina Warburton, Lhasha Tautau, Krystal Harrison, Mihi Tashkoff, Blanche Wanoa, Edward Braybrook,Phillipa Kirikiri, Craig Hawke, Victor Walker, Chevrolae Walker-Reedy
After the morning dedication, there was still time to meet the press...
...and for a group portrait of all those involved, in the Knights' Hall of the Museum of Ancient Cultures.
Victor Walker speaks about the significance of the Pou of Hinematioro for Te Aitanga-a-Hauiti iwi in the Tübingen castle chapel.
The special exhibition Te Pou o Hinematioro at the MUT has ended, but the story of Hinematioro and her pou continues.
After many years in Tübingen, Hinematioro will permanently return to her community of origin, the Te Aitanga-a-Hauiti iwi, in Aotearoa, New Zealand.
The following sections look toward the next steps and the collaboration that will emerge:
Student Team: Laura Bon, Timon Butz, Sara Çobaj, Colin Höger, Muriel Offei-Yeboah, Hevin Sahin, Carolin Saia, Lea Pflüger, Marina Weber Aragon
Project Management: Markus Schleiter - curator of the ethnological collection & Chantal Arold
Other Contributors: Lana Balorda, Lisa Marie Sander & Lisa Stadtmüller
Technical Support: Michael La Corte - University Museum of Tübingen
This student project was realized as a cooperation between the Department of Social and Cultural Anthropology and the Master profile “Museum & Collections” (MuSa) of the Museum of the University of Tübingen (MUT). We were kindly supported by Oliver Lichtwald from the Center for Media Competence. The project would have been nearly impossible without Valentin Marquardt’s beautiful photography of the event and the exhibition.
A special thanks goes to Victor Walker, Shanan Gray, Tanja Schubert-McArthur, and the Te Aitanga-a-Hauiti Centre of Excellence Trust, NZ, for their expert knowledge and critical perspective on the entire project.
We gratefully acknowledge financial support from Professor Dr. Gabriele Alex and Professor Dr. Karin Polit of the Department of Social and Cultural Anthropology, and from Professor Dr. Ernst Seidl, Director of the MUT, the Ministry of Education, and the Platform Global Encounters.
We extend our gratitude to the Tolaga Bay Area School, the Kōkai Weavers, Volker Harms, and Stephanie Walda-Mandel. Edward Braybrook, Taikorekore Collis-Tangohau, Taylor Kirikiri, Krystal Harrison, Nina Warburton, Lhasha Tautau, and Chevrolae Walker-Reedy. The students of class 9c, Geschwister-Scholl-School and Tim Limbers.
For comments and feedback contact: sammlung@ethno.uni-tuebingen.de
Special Exhibition: We thank all those who contributed to the original exhibition
Te Pou o Hinematioro – Celebrating Māori Heritage, Culture and Connection.
Project Management
Victor Walker M.A., Chairman of Te Aitanga a Hauiti Centre of Excellence Trust
Prof. Dr. Gabriele Alex, Abteilung Ethnogie, Universität Tübingen
Prof. Dr. Ernst Seidl, Museum der Universität Tübingen MUT
Curation
Dr. Michael La Corte, Dr. Markus Schleiter, Victor Walker
Contribution
Chantal Arold, Aline Curtis, Sara Leicht, Tapunga Nepe
Scenography
Stephan Potengowski, Atelier für Formgebung
Matthias Helle, Helle Werbetechnik
Participating Institutions
Abteilung Ethnologie, Universität Tübingen, DE
Familien-Bildungsstätte Tübingen (FBS), DE
German Embassy Wellington, NZ
Geschwister-Scholl-Schule Tübingen, DE
Kōkai Weavers, NZ
Museum Fünf Kontinente, Staatliche Museen in Bayern, DE
Museum of New Zealand Te Papa Tongarewa, NZ
Museum der Universität Tübingen MUT, DE
Save the Tolaga Bay Wharf Committee, NZ
Takirau Pro, NZ
Tairāwhiti Museum, NZ
Te Aitanga-a-Hauiti Centre of Excellence Trust, NZ
The Ministry of Education, NZ
The Ministry of Foreign Affairs and Trade, NZ
The Ministry of Science, Research and Arts of Baden-Württemberg, DE
Toi Hauiti, NZ
Toihoukura School of Māori Visual Art and Design, NZ
Tolaga Bay Area School and Kahukuranui, NZ
Project Participants
Johanna Annau, Edgar Bierende, Jack Brooking, Tapuhi Tautau Broughton-Tuapawa, Te Kōtuku Tangohau Brown, Marina Freidhof, Shanan Gray, Christina Häfele, Diellëza Hyseni, Thomas Klank, Mark Kōpua, Anne Kremmer, Fabian Kurze, Michael La Corte, Anna Leshchenko, Naomi Lüderitz, Anne Iranui McGuire, Nadja Mozdzen, Gita Nikkhah Bahrami, Tabea Olhorn, Prof. Dr. Karin Polit, Maia Rangi-huna, Tanja Schubert-McArthur, Cynthia Sidney, Elke Steinhauser, Te iwi o Te Aitanga-a-Hauiti, Annika Vosseler, Eloise Wallace, Walton Walker, Simon Zauner
Lythberg, Billie; Jennifer Newell und Wayne Ngata 2015. House of Stories: The Whale Rider at the American Museum of Natural History. Museum & Society 13 (2): 189-213.
Harms, Volker 2017. The Tübingen Poupou: A Maori Carving from James Cook's First Voyage of Discovery. Tübingen: Museum der Universität Tübingen MUT.
Ngata, Wayne; Billie Lythberg und Almiria Salmond 2018. Toi Hauiti and Hinematioro: A Maori Ancestor in a German Castle. In Carreau, Lucie; Alison Clark; Alina Jelinek; Erna Lilje und Nicholas Thomas (Hrsg.), Pacific Presences Volume 2: Oceanic Art and European Museums. Leiden: Sidestone Press, S. 329-341.
Salmond, Anne 2003. Travellers from Hawaiki. In Salmond, Anne (Hrsg.), The Trial of the Cannibal Dog: Captain Cook in the South Seas, S. 108-139.